In this work, we see how Michael Johnson combines the strategies of hard-edged abstraction with a highly textured surface. The artist describes how:
“The edge is where the colours meet, not where the shape changes. The shape is the container for the colour. I’m interested in the life of colours; my painting has got more to do with that than with form or tone or drawing. Most painters start with tone, but gradually colour becomes the issue.”
Reference: Michael Johnson, Barry Pearce 2004 Beagle Press
This piece is a digital archival fine art limited edition.
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